Studio of Kaitlin Thaney · ceramics & other work
Made slowly, used daily.
Hand-built and wheel-thrown stoneware. I like glazes that move in the kiln and forms that keep a little of my hands in them: wavy platters, low bowls, pieces meant for the middle of the table. your words
Leading collection · 01
Undertow
Hand-built nesting bowls with ruffled, metallic-dark rims and deep blue pulling down into the centre, like water drawing back from the shore. Made to stack, and to be used. your words



Low tide · vases, bowls & mugs




Thrown pieces where blue runs down through sea-grey and stops at a raw clay foot, like the waterline after the tide goes out.
Leading collection · 02
Flow
Bowls, platters and small dishes in glazes that move in the kiln: mustard, sage and cream pooling inside red clay, ruffled platters streaked with colour, and bright green breaking into blue, like a rock pool at low tide. your words



Platters & small dishes






Tidepool · dishes & mugs




Leading collection · 03
Held & Keeping
Urns and lidded jars, made by hand for someone you've lost. I started making these for my own family, and found that shaping something to hold a person is its own kind of care. Held are full-size urns, made to be displayed. Keeping are smaller jars for the people who'd like a part close by at home. your words






Letters & keepsakes
Letters & keepsakes
Folded like an envelope and made to hang: for dried flowers, a letter, a lock of hair or a small thing worth keeping. Made on their own, or alongside an urn.


- 01
A conversation
No forms. We talk about the person: colours, places, what they loved.
- 02
Held or Keeping
One urn to display, smaller jars so family can each keep a part, or both.
- 03
Making
Thrown or hand-built, glazed, fired. I'll share photos along the way if you'd like them.
- 04
Bringing it home
Delivered by hand where possible, with a sealed lid and care notes.
Write to hello@kaythaney.com with “Held” or “Keeping” in the subject. There's no rush, and no obligation. timelines & pricing
Also from the studio
Collection
Smoke
Raku, barrel and pit-fired pieces, marked by flame, ash and whatever was burning alongside them. Pinks from copper and salts, blacks from smoke, crackle from the quick cool. Every surface is a record of one firing. your words






Process
In the studio
From wet clay to kiln: what the work looks like before the glaze.


Beyond clay
Other work
Sculptural pieces and other experiments: work that isn't meant to hold anything except attention. your words

More pieces on Instagram, usually fresh out of the kiln.